Amazing papercraft by two Russian artists called People Too. Hailing from Novosibirsk, they bring sheet paper to life with delightful illustrations of various everyday activities.
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Papercraft by People Too
Category: Illustration
Fourteen spirits and demons, rendered by Ben Newman in a bold and colourful illustration style. Each image is complimented with words from S J Donaldson. All in the form of the Bento Bestiary, from Nobrow publishing.
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Illustrations by Robinsson Cravents
The ‘Dreamy Nature’ by Robinsson Cravents from Columbia. Aimed to recreate situations and feelings with a positive mood, these digital artworks are based on his childhood dreams, and the colours selected from his daughter’s shirt.
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Illustrations by Nabil Nezzar
Various illustrations by Belgian Nabil Nezzar from Brussels. Made with a mixture of techniques, such as graphite, color pencils, marker and water colour paint.
Yōkai or literally “mysterious appearance” is the name given to any type of creature from Japanese folklore: demons, monsters, spirits, objects with life, magical animals, etc. Brazilian artist Heitor Seió Kimura brought them to life in this illustration project.
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Illustrations by Denis Zilber
Denis Ziber, born in Belarus, from Israel, draws these fantastic cartoonesque illustrations.
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Illustrations by Vladimir Shelest
The Umpye’s series, by Vladimir Shelest from Thailand. In his own words, these are “digital portraits of friends, filtered by my mind.”
Illustration series called ‘Fashion Men’, by Fernando Vicente from Madrid, for the Spanish magazine Gentleman.
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Illustrations by Jeff Langevin
Jeff Langevin from Oregon is a freelance artist & designer. His work includes emotional, figural paintings which explore the relationship between humans and nature, artistic interpretations and graphic works inspired by popular culture.
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Objects by Kevin Leung
This illustrative object series by Kevin Leung let us rethink our social lives, and shows how human are domesticated by technology. The objects are handcrafted without using any machines, the medium itself is disconnected from technology.