Terrific branding for photographer Dylan Culhane. The overarching idea was to marry the idea of precision and instinct – two seemingly opposed yet defining pillars of Dylan Culhane’s work. By Ben Johnston from Canada.
Kiss Miklos from Hungary developed an identity for his home country. He used the coat of arms and the colours of the flag for the logomark, aimed to replicate Milton Glaser’s ‘I love New York’ logo for Hungary.
De Correspondent is a crowdfunding project to start a new digital-only, subscription based news publication. The whole corporate design and user interface was designed by Momkai, a digital creative agency from Amsterdam.
Every once in a while there’s a surprising business card. This one by Tommy Perez features a smart design, with a little folding. Each card was duplexed to one of four different French Paper Pop-Tone colors (Razzle Berry, Grape Jelly, Sour Apple, and Blu Raspberry).
Identity design by Plau, from Rio de Janeiro, for Andaluz; an audio and video producion company. The identity is remarkable by its non-linearity, noise, monochrome images and use of Futura.
Auckland’s leading producer of contemporary theatre, Silo Theatre, had its identity designed by Alt Group. The identity showcases, much like the theatre, contemporary concerns, dealing with human, emotional and sexual politics.
The AÃRK Collective from Melbourne, Australia, made these stylish watches. The art direction is impressive, and the attention to every detail honours the craftsmanship. Form and function, minimalist and cool.
KiBiSi is one of Scandinavias most influential design groups, and creates everything from furniture and household objects, to bicycles and aircraft, and signature designs for clients across the globe. These Puma bikes where created for ease of movement, urban transportation, and individual appeal.