Tom J Manning’s illustration series called NIKE WILD is a showcase of the five fastest creatures on the planet.
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The design for Callegari Olive Oil by Pereira & O’Dell aims to bring the product bottle to the table, instead of using olive oil dispensers. A minimal and modern bottle that can stand upright or on its side, and a classic perfume bottle, to dispense the oil on salads.
British artist, Jennifer Collier collects all kinds of papers, magazines, maps, and sheet music, and recycles them to create incredible wrapping for ordinary objects that would otherwise go unnoticed.
Jaroslav Poncar visited Angkor Wat for the first time in 1993, but did not know that the following two decades it would become his second home. He took many photographs of the largest religious monument in the world that was build in the early 12th century.
Evernote designer Adam Glynn-Finnegan’s vision for a better boarding pass. The main innovation is chronology; the information relevant to various phases of your trip is arranged roughly from top to bottom.
A pair of British artists have created this stunning installation of 9,000 silhouettes on a D-Day Landings beach to mark international Peace Day, and a tribute to the civilians, German forces and Allies who lost their lives during June 6, 1944.
The Caterham AeroSeven concept has been officially unveiled at this weekend’s Singapore Formula One Grand Prix. It’s based on an updated version of the Seven CSR’s platform, which started 40 years ago.
The Hoxton Window Project, by Jonathan Calugi and Federico Landini, hosted by Unit9, in London. A mixture of typography and illustration.
The series by Quiet ensemble is called Biografie, bio-graphy because it graphically (-grafie) represents life (Bio-) of small living creatures. Seen here are the paths drawn and walked by a spider, green shield bug, cockroach, silkworm and ant.
Photos by Michael Light, taken from a two-seater plane which he flew himself at the same time. It shows the abrubt effect of the economic crash with acres of flattened hilltops carved through with roads and foundations, without houses.