“Whatever you want to do, it’s possible in paper.” Words by Lobulo Design, after creating a series of sculptural experiments that turn a flat letterform into a three-dimensional object using paper.
A range of porcelain with patterns that play on designs from a traditional Japanese pottery, by Japanese studio Nendo. The Ume and Karakusa collections are all hand-made and hand-drawn, in collaboration with Gen-emon, the Japanese town famed for its potteries.
Pratiksha Suryawanshi, from Mumbai, India, created these conceptual visuals named ‘The Blame Game’. Pop art-like, they show, in Pratiksha’s words, ‘accusations exchanged among people who refuse to accept sole responsibility for some undesirable event.’
Finnish Werklig gave Aalto University a simple but strong identity. The theme only features three basic colours, with grey as an exception, for the condolence envelope and card. The emblem was toned down by embossing it to the envelope and the letterhead.
Dolphins from Greece designed the label for a liqueur, inspired by the black and white geometric decoration on the building facades of Chios mastic villages, such as Pyrgi.
After his first logo design prepared for the Finnish band Disgrace in 1990, Christophe Szpajdel, lord of metal band logo’s has drawn more than 7000 metal band logos.
The newly created visual identity for glassblower Jeremy Maxwell Wintrebert by Spanish studio Hey. The identity is simple yet elegant with white, black and kraft. Textures win over colors and details are references to the handmade.